In China's Hainan, 86-yr-old artist gives modern makeover to traditional music

Share This Post

In China's Hainan, 86-yr-old artist gives modern makeover to traditional music
Huang Zihe, inheritor of Hainan Bayin, teaches students about playing techniques of Hainan Bayin at a school in Meilan District of Haikou, south China’s Hainan Province, Nov. 23, 2018. Hainan Bayin, or Hainan Eight Tunes, literally refers to the eight types of musical instruments made of materials cultivated in Hainan, such as coconut shells and Chinese rosewood. It also refers to the Bayin musical style created with the instrument. TO GO WITH “Across China: In China’s Hainan, 86-yr-old artist gives modern makeover to traditional music” (Xinhua)

For the Spring Festival holiday, Huang Zihe and his troupe visited various venues and performed with the Hainan Bayin, a traditional musical instrument endemic to south China’s Hainan Province.

“I am the luckiest guy in the world because I get to pass on the traditional Bayin art,” said 86-year-old Huang. “I do hope that the children will bring the music style to more people overseas.”

Hainan Bayin, or Hainan Eight Tunes, literally refers to the eight types of musical instruments made of materials cultivated in Hainan, such as coconut shells and Chinese rosewood. It also refers to the Bayin musical style created with the instrument. In Hainan, more than 500 Bayin musical scores exist, recording local people’s daily life and the traditional Hainan culture.

Bayin troupes usually perform at weddings, funerals and when offering sacrifices in northern Hainan, and during the peak of Bayin’s popularity, almost all villages had their own Bayin troupe.

Hainan Bayin enjoyed popularity for almost 1,000 years. However, in recent decades, the popularity gradually waned as people left their hometowns, fewer people listened and there are less musical creators.

Huang started learning Bayin music at a very young age.

“I learned how to play the Bayin from a master in the neighboring village,” he recalled. “I learned to play different types of musical instruments when I was a kid.”

Huang later became a professional musician at the provincial opera house. After spending decades in the industry, Huang retired and later settled in Australia.

Master’s comeback

In 2008, Huang saw a news story that reported Bayin being listed as a national intangible cultural heritage in China and the dire need for attention to be paid to the musical style due to a lack of professional teachers. Huang, who was teaching foreign students about Bayin, became anxious.

“Hainan Bayin was quite popular with foreigners in Australia and many wanted to learn the art,” he said. “So when I saw the story, I was determined to help pass on the Bayin culture in my hometown.”

Huang decided to come back to Hainan and became a volunteer in a local cultural station in the provincial capital Haikou. He would also go to parks to teach senior citizens how to play Bayin. He offered the musical instrument for free and taught people about playing techniques.

“I realized that we lacked young people in this industry,” he said.

So Huang invited local students to the cultural station to learn Bayin. Under his wing, the students learned to perform within a year and their performances were quite popular with the parents and teachers.

In recent years, authorities have provided more subsidies and established cultural stations to pass on traditional arts.

New tunes of traditional music

Huang has developed different methods to teach elderly students and those from primary schools.

“For the elderly, they need to learn the basics quickly and you need to give them a sense of achievement when they practice,” Huang said. “For the pupils, I usually incorporate Bayin music with nursery rhymes, so that they find it interesting.”

Ouyang Ziyi, a primary school student, has been learning Bayin from Huang for three years. His parents are quite supportive.

“Bayin is a local musical style, and it is charming and unique,” Ouyang said. “I believe more people will fall in love with our folk music in the future.”

In 2019, Huang took his Bayin troupe to Singapore and Malaysia. Their performances touched the hearts of many overseas Chinese who originally came from Hainan.

“When they heard the familiar hometown tunes, they were overwhelmed,” Huang said. “Some sobbed, and some cried out loud.”

Mou Guifen is one of Huang’s students and part of the Bayin troupe.

“Huang is my mentor, and he teaches tirelessly,” Mou said. “He is an amazing artist.”

Huang is keen on passing on Bayin among generations.

“Bayin has more than 500 scores, and has been passed on for almost 1,000 years,” Huang said. “Passing it on is a beautiful thing.”

1   2   3   >  

Follow Chinafolk on Twitter and Facebook to join the conversation.
ChinaNews App Download
spot_img

Related Posts

Majority of China’s museums now offer free admission

The total number of Chinese museums rose by 395 to 6,183 in 2021, 90 percent of them offering free admission, said a senior cultural official Wednesday.

Translating Chinese literature: Cross-cultural communication

In 2012, Chinese writer Mo Yan won the Nobel Prize in Literature, and his works have since been translated into at least 40 languages with more than 200 versions read worldwide. In 2020, online Chinese literary works attracted more than 83 million overseas readers, a 160.4-percent increase year on year. Chinese literary works have become an important window for foreigners to understand Chinese culture. Translators, as messengers of cultural exchange between China and foreign countries, have played an important role.

Father empowers disabled daughter with music

A girl with an intellectual disability from Suzhou, Jiangsu Province has learned to play more than 300 songs with Erhu and flute and has won many prizes thanks to her father.

Yu Zhongxian: Understand to be understood

"Translation is understanding and making others understand," said translator and professor Yu Zhongxian during a recent interview he gave to China Pictorial (CP). "I operate a ferry, a bridge between two shores empowering Chinese readers to gain richer knowledge of other countries."

Iljaz Spahiu: My own private China

"Mandarin Chinese is appallingly difficult to learn!" Albanian sinologist Iljaz Spahiu waved his hands and couldn't help bursting into laughter when recalling his first Chinese course. In 1974, when he was only 19, Spahiu set out from Tirana, capital of Albania, and flew across the Eurasian continent to Beijing. He enrolled in a Chinese class at Beijing Language Institute (now Beijing Language and Culture University). After more than a year of studying there, he went to Peking University for a program on Chinese studies.

Mark Leenhouts: Slow fire makes well-done translation

At the very first sight, few understand the grave lexicography of the Chinese character"𡈙(yóu)." But Mark Leenhouts is quite familiar with how the pictograph depicting a "a caged bird" on his WeChat profile vividly captures the nature of the translation profession—"a decoy bird."
- Advertisement -spot_img